Past Disney: A 1616 portrait of Pocahontas reveals how English colonizers noticed Indigenous Individuals

Because of the Walt Disney Firm, Pocahontas could be the most well-known Native American who lived within the seventeenth century. The animated film version of her adolescence included her talking with a willow tree, befriending animals, singing about “the colours of the wind,” and being caught up in an ill-fated romance with Captain John Smith.

The 1995 film created a permanent visible picture of Pocahontas, and contained some particulars drawn from the historic document, although lots is pure fiction. Smith was, in actual fact, one of many English colonists who arrived in Jamestown, Virginia, quickly after its founding in 1607. Pocahontas’ father Wahunsonacock – whom colonists and Disney referred to as Powhatan – was the paramount chief of the Powhatans, who lived in communities alongside the perimeters of Chesapeake Bay and its tributaries.

Just one portrait of Pocahontas from her lifetime exists – a pointy distinction with the Disney-drawn picture most Individuals know. And it speaks volumes about how the English noticed colonization.

Highly effective household

As I describe in my 2026 guide, “Contested Continent: The Struggle for North America, c. 1000 to 1680,” Wahunsonacock was probably the most consequential political determine in early Virginia, the land Powhatans knew as Tsenacommacah. Via private alliances and shrewd stratagems, he managed maybe 30 communities alongside the shores of Chesapeake Bay and its tributaries.

An engraving of Wahunsonacock by William Gap appeared on a map John Smith created of Virginia.
Virtual Jamestown/Wikimedia Commons

Pocahontas, also referred to as Matoaka and Amonute, was most likely about 10 or 11 years outdated when she encountered Smith in late 1607. At that second he was a captive of her father, who, Smith later wrote, was about to have him killed. Although students consider Wahunsonacock was doubtless putting Smith through a ritual adoption, the colonist claimed Pocahontas saved his life.

In 1613, the English took Pocahontas captive throughout a battle generally known as the first Anglo-Powhatan War. After acquiring his daughter’s freedom in 1614, Wahunsonacock authorised her marriage to John Rolfe, who performed a number one function the colony’s tobacco financial system, and he or she transformed to Christianity. Someday between 1615 and 1617 she gave start to their son, Thomas.

Pocahontas in England

Two years after the wedding, Pocahontas and Rolfe sailed to England, the place she performed a number one function in her father’s diplomatic mission.

Throughout her keep in London, which included assembly King James I, Pocahontas sat for a portrait by the artist Simon van de Passe. Her clothes and pose echoed portraits of different elite English girls of the period. The picture emphasizes her tall stovepipe hat, ample lace collar, a costume with detailed embroidery or brocade, and a pearl earring dangling from her left ear.

A black and white engraving of a woman with a serious expression, wearing an ornately embroidered gown.

Simon van de Passe’s 1616 engraving of Pocahontas is the one identified portrait made throughout her lifetime.
National Portrait Gallery/Wikimedia Commons

Along with her English clothes, Pocahontas holds a quill pen, suggesting that she had realized to jot down. Since Europeans thought of literacy a vital marker of civilization, the engraving highlights English hopes that Indigenous Individuals may quickly embrace the colonists’ tradition.

Energy of artwork

The engraving of Pocahontas was not the primary picture of Native peoples of the mid-Atlantic shoreline circulating in England. Illustrations in a single extensively reprinted guide performed a vital function in convincing the English to establish settlements in North America.

Within the late sixteenth century, advocates of English colonization understood that descriptions of North America may make overseas territory extra engaging to potential migrants. They needed to exhibit to English women and men that they may create worthwhile economies and coexist with Native peoples.

An ornate title page looks like a stone monument, with figures with colored clothing positioned around it.

The title web page of the 1590 version of Theodor de Bry’s ‘A Briefe and True Report of the Newfound Land of Virginia.’
Livinncary/Wikimedia Commons, CC BY-SA

Some promoters acknowledged that watercolor pictures painted in 1585 by the artist John White depicting the Carolina Algonquians of the Outer Banks may maybe generate curiosity – and investments. The promoters, who had ties to main figures within the English courtroom in addition to to printers, additionally noticed the advantages of an in-depth examine of the area by the younger English mathematician and author Thomas Harriot, “A Briefe and True Report of the Newfound Land of Virginia.” In 1590, the promoters labored with the Flemish printer Theodor de Bry to produce an illustrated version, which contained engravings based mostly on White’s work.

The quantity described Carolina Algonquians’ practices and enumerated commodities that might be extracted for revenue. A number of the Native Individuals depicted in these pages are clad with solely a deerskin loincloth. A number of the girls wear skirts however not tops.

To Europeans bred on the concept clothes a complete physique was a marker of civilization, these Alqonquians’ look was vital. Individuals who colonizers thought of “savages” have been usually depicted nude, like the Tainos whom Christopher Columbus encountered a century earlier. English women and men studying the guide concerning the Algonquians, however, noticed them as a individuals who would, beneath the correct tutelage, undertake English-style tradition – together with Protestant Christianity.

“Some faith they’ve alreadie,” Harriot wrote in “A Briefe and True Report,” “which though or not it’s farre from the reality, but being as it’s, there may be hope it could been the better and sooner reformed.”

To make the purpose that Native Individuals might be transformed to European tradition, the engravers added depictions of historic Britons, allegedly based mostly on an outdated chronicle. Three of those pictures of Picts depicted them as nude, bearing tattoos extra intensive than the Algonquians’. These people are additionally portrayed as extra violent: A Pict man holds a head still dripping blood, with one other head at his toes, whereas a Pict lady brandishes spears and a broadsword.

Actuality test

When Pocahontas sat for Van de Passe, his portrait did greater than create a resemblance of the younger lady, who would die the next yr, quickly after leaving London – felled both by illness or, as a Virginia tribe’s oral history suggests, poison.

Like the photographs popularized by Harriot’s guide, her portrait advised that Native Individuals would quickly embrace English methods. Pocahontas herself, because the phrases on the engraving famous, had develop into Rebecca Rolfe after her marriage. In his writings, her husband celebrated her conversion to the Anglican faith. The proof of the mannequin of cultural conversion appeared to be on plain view within the portrait.

Pocahontas’ father died in 1618. 4 years later, the Powhatans launched a insurrection in opposition to English colonists. On March 22, 1622, beneath the route of a war captain named Opechancanough, they killed roughly one-fourth of the colonists in Virginia. The English labeled the violence a “barbarous massacre” and launched a conflict of vengeance, which included a mass poisoning of Powhatans in 1623 – an motion that the English on the time knew violated the emerging law of war.

Seeing Pocahontas poised on a chair, carrying a sublime hat and holding a quill pen, the English had assumed that Native Individuals would embrace the colonizers’ methods. March 1622 proved them fallacious.